Talk on the History and Redevelopment of Stanley Halls
Thursday 27th March, 7pm and Saturday April 12th, 2pm at Croydon Clocktower (Activities Room, lower ground floor)
Join our volunteers when they give a talk on the rich history of Stanley Halls, its designer, William Ford Stanley and the Stanley Lives research and redevelopment project.
To book a place at either talk, please email email@example.com or phone 020 8253 1022. www.museumofcroydon.com
The Thursday talk is timed to run before the first film showing in the David Lean Theatre, Croydon Clocktower, by our friends at The Save David Lean Cinema Campaign. The initial film is ‘Basically, Johnny Moped’.
Congratulations to the group on this milestone, and we understand there may also be an appearance from South Norwood boy, Captain Sensible! Tickets are going fast. See here for information on forthcoming films.
William Ford Stanley was a well travelled man, so it seems fitting that The Lives of Stanley Halls exhibition, following in the footsteps of that eminent Victorian gent, is just about to embark on its own grand tour……
If you were among the 50 or so that attended its grand unveiling on 4th December, you will know that the exhibition, The Lives of Stanley Halls: Theatricals, Community and Entertainment was anticipated with great excitement…and the excitement did not go unfulfilled! Curated by volunteer researchers and oral historians, the display offers a thoughtful and fascinating insight into the history and heritage of Stanley Halls and explores the various ways that it has been enjoyed by the community since its opening.
The exhibition comprises 8 panels which focus on diverse topics such as the building of the Halls, its opening and its various uses such as for educational, communal and theatrical purposes. Teeming with detail, it also includes a huge number of memories given by members of the South Norwood community. If you have yet to see it, over the forthcoming weeks there will be many opportunities to catch the exhibition starting with the Stanley Halls Open Day on Saturday 18th January (12.30pm – 6.30pm). And for those of you that just can’t wait that long, here are a few pictures to whet your appetite ……
After the Stanley Halls Open Day the exhibition will be visiting a number of venues including South Norwood Library from 20th January. A full exhibition schedule will be revealed in due course but, in the meantime, if you have any suggestions of venues which might like to host the exhibition, please let us know on firstname.lastname@example.org
The Lives of Stanley Halls Project Coordinator
Part two of our look at artwork given to the Stanley Halls by William Ford Stanley. Dr Debbie Challis sheds more light on one of the beauties that once adorned the walls of Stanley Halls gallery.
The Gamekeeper’s Daughter (1875) is by Valentine Cameron Prinsep (1838-1904, known as ‘Val’) who is, arguably, one of the better known of the artists within William Ford Stanley’s original art collection. Val Prinsep was born in India but when his parents Thoby Prinsep and Sara Monckton Prinsep retired to London in 1843 they surrounded themselves with artists and literary figures, particularly from 1851 when they moved to Little Holland House in Kensington. They were joined there the following year by the artist George Frederic Watts who moved in and stayed over 20 years. Val Prinsep decided to become an artist and was at first trained by Watts:
“He was influenced by the salon his mother had established at Little Holland House around Watts. The guests, almost all of whom became Prinsep’s friends, included Tennyson, Thackeray, Browning, Holman Hunt, Millais, Leighton, D. G. Rossetti, and Burne-Jones; Sara Prinsep’s sister, Julia Margaret Cameron, took photographs of the group”. (Dakers, 2004)
As a teenager Val accompanied Watts to the excavations of a Wonder of the World, the Mausoleum of Halicarnassus at Bodrum in Turkey during 1856-7. These were being over-seen by Charles Thomas Newton, an old friend of Watts and John Ruskin and later Keeper of Greek and Roman Antiquities at the British Museum. At the time, Newton described the artists – bar Watts – who were on his digs as lazy and disdainful of the hard work archaeology requires (Newton, 1857).
Val Prinsep may not have impressed the formidable archaeologist, but he soon became an accomplished artist and seemed to be rarely idle. He shared many of William Ford Stanley’s attitudes to education and self-betterment as well as a desire to open up access to art to a greater number of people. Prinsep instructed art students at Worcester College on the progress of art and the need for education in art and nature in 1883. Following Ruskin’s doctrines, he urged the students to look at nature closely and ‘above all learn to draw’ (Prinsep, 1883). Two years later, Val Prinsep was one of many artists from the Royal Academy (others included Lawrence Alma-Tadema, Edwin Long, Hamo Thorneycroft and Alfred Waterhouse) to sign a petition calling for the National Gallery and British Museum to stay open until 10pm three days a week. This 1885 petition revisited a parliamentary inquiry of 1860 on opening hours of national museums and galleries and access to the public, above all access to working people. Evening opening was to provide ‘instruction and pleasure’ to a greater number of people.
The Gallery in Stanley Halls is a memorial to the desire to offer opportunities for education and leisure to people from all backgrounds that Stanley shared with other like-minded Victorians. We hope that it will again become a creative centre for ‘instruction and pleasure’ at the heart of South Norwood.
Caroline Dakers, ‘Prinsep, Valentine Cameron (1838–1904)’, Oxford Dictionary of National Biography, Oxford University Press, 2004 [http://www.oxforddnb.com/view/article/35615, accessed 29 May 2013]
Charles Newton, Letter to Antonio Panizzi, 3 September 1857, Britt. Lib. Add. MSS. 36718, f. 194.
‘Important Facts on the Week Evening Opening of Museums’ (1885). Earl Grey Pamphlets Collection, Durham University [www.jstor.org/stable/60227298].
Valentine Cameron Prinsep (1883), ‘An address to the art students of the Worcester School of Art delivered at the distribution of prizes, December 12th 1883’.